《漢畫總錄》是一個意義重大、影響深遠的國家級文化搶救和文化建設項目,以照片、拓片、線描及墓葬位置復原圖等方式記錄漢畫圖像,對圖像的出土地點、年代、尺寸、材質(zhì)、考古環(huán)境、畫面內(nèi)容、圖像關(guān)系等作全面著錄。項目計劃正編150冊,補遺50冊,將通過構(gòu)建一部完整的漢代圖像志,為今后漢畫的保存、再現(xiàn)、使用等提供有力的支持和保障,為中國上古晚期的思想、政治、經(jīng)濟、文化研究奠定堅實的基礎(chǔ)。作為本學術(shù)工程的第二期,《漢畫總錄》(11—30冊)對南陽地區(qū)的漢畫作了調(diào)查、整理、著錄,正編范圍限于南陽漢畫館所藏南陽及其諸縣出土和征集的畫像石,其他因客觀原因暫未收錄的部分,將在補遺卷中與南陽地區(qū)的畫像磚及其他材質(zhì)、器物上的圖像一并陸續(xù)著錄。
作為一項奠基性的工作,《漢畫總錄》全面收集整理全球所藏中國漢代圖像,將把中國漢代乃至上古晚期歷史研究推進到一個新的高度,并使?jié)h畫研究成為一門與敦煌研究、簡帛研究、甲骨文研究同等重要的專門學科,對中華文化的保存、研究、傳承具有重要意義。
本項目已被列為國家“十二五”重點出版項目,是一代學人心血之所系。
牛天偉:南陽漢畫館研究部主任,館員,著有《漢畫神靈圖像考述》(與金愛秀合著),主編有《南陽漢畫之神話傳說》(副主編)、《南陽漢代畫像石圖像資料集錦》(副主編),在《考古》《中原文物》《南都學刊》等期刊發(fā)表文章二十余篇。
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圖 錄(以漢畫總錄編號排列)
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